Broey Deschanel

Non notée

Année : 2018

Nombre de saisons : 1

Durée moyenne d'un épisode : 29 minutes

Genre(s) :

Welcome to my channel! I post monthly videos on a mixture of film analyses, retrospectives, politics and just absolutely overthinking anything to do with pop culture. Spoiler warnings are placed on videos that discuss shows/movies with a twist, recent shows/movies, or shows/movies that aren't the subject of the video. If you're watching a video about a show/movie that is over a decade old, very famous in pop culture, and the subject of my video - then please watch at your own discretion. My business email is linked on this page. Please be mindful that I receive a great number of requests for academic interviews, reviewing or promoting films (particularly student films), and guest speaking on podcasts. I try my best to respond to these inquiries - but I cannot commit myself to all of them, so I have to be sparing. This does not reflect on the quality of your research, film, or podcast - and more so that I don't want to spread myself too thin! Apologies if I don't get back to you!

Saisons

Saison 1

Épisodes

Choisissez votre saison au dessus et découvrez les épisodes qui vous attendent !

Épisode 7 - Tiger King: The Problem with True Crime

19 avril 2020

Adam’s podcast: Is It Wack? https://podtail.com/en/podcast/is-it-wack/ https://www.patreon.com/broeydeschanel Murder Squad episode: http://themurdersquad.com/episodes/what-happened-to-carole-baskins-husband-don-lewis/ Full Humane Society Report: https://www.humanesociety.org/sites/default/files/docs/investigative-report-gw-exotic-animal-park.pdf An article from 1997 regarding Don Lewis (that details his business dealings): https://www.tampabay.com/archive/1997/09/19/missing-millionaire-worries-family/ Footage and partial audio: Provided to YouTube by Netflix, Inc. I think this is an interesting quote by Rebecca Chaiklin that really shows how they viewed their participants: "We were blessed in this project in having subjects that were obsessed with filming themselves. Narcissism was a common thread, and all of them constantly wanting to be on camera was every filmmaker’s dream,” Chaiklin said. “So there was this plethora of footage, and it was just the gift that kept on giving for us." (Indie Wire 2020) Sources: Bolin, Alice. "The Ethical Dilemma of Highbrow True Crime." Vulture, 1 Aug. 2018, www.vulture.com/2018/08/true-crime-ethics.html#comments. Boling, Kelli S. “True crime podcasting: Journalism, justice, or entertainment?” Radio Journalism: International Studies in Broadcast & Audio Media, vol. 17, no. 2, 2019, pp. 161-178 Boorsma, Megan. "The Whole Truth: The Implications of America's True Crime Obsession." Elon Law Review, vol. 9, no. 1, 2017, pp. 209-24. Burger, Pamela. "The Bloody History of the True Crime Genre." JSTOR Daily, 24 Aug. 2016, daily.jstor.org/bloody-history-of-true-crime-genre/. Greene, Steve. "'Tiger King': How Two Directors Untangled the Thorny Web Around Big Cat Owners." Indie Wire, 24 Mar. 2020, www.indiewire.com/2020/03/tiger-king-directors-netflix-interview-1202220039/. Leszkiewicz, Anna. "From Serial to Making a Murderer: can true crime as entertainment ever be ethical?" New Statesman, 15 Jan. 2016, www.newstatesman.com/culture/tv-radio/2016/01/serial-making-murderer-can-true-crime-entertainment-ever-be-ethical. Punnett, Ian (2017), ‘Every American life: Understanding Serial as true crime’, paper presented at the 2017 meeting of Association for Education in Journalism and Mass Communication, Chicago, 9–12 August. Tait, Amelia. "Tiger King merch shows the deep flaw of 'true crime' entertainment." Wired, 5 Apr. 2020, www.wired.co.uk/article/netflix-tiger-king-true-crime-merchandise. Victor, Daniel. "'Making a Murderer' Left Out Crucial Facts, Prosecutor Says." The New York Times, 5 Jan. 2016, www.nytimes.com/2016/01/05/arts/television/ken-kratz-making-a-murderer.html. Wilkinson, Alissa. "Let's think twice about Tiger King." Vox, 2 Apr. 2020, www.vox.com/culture/2020/4/2/21202812/tiger-king-bad-review-netflix

Épisode 16 - The Systemic Abuse of Celebrities

15 avril 2021

Use code BROEY12 to get up to 12 FREE MEALS across your first 4 HelloFresh boxes, including free shipping on your first box at https://bit.ly/3fKUEr9 Intro/Outro song: Montana Tucker - Lucky (Britney Spears over) https://www.youtube.com/watch?v=GqkhhaLV75w&ab_channel=MontanaTucker You're Wrong About episode: https://podcasts.apple.com/us/podcast/princess-diana-part-2-the-wedding/id1380008439?i=1000493736663 Patreon: https://www.patreon.com/broeydeschanel Instagram: https://www.instagram.com/broey_deschanel/ Twitter: https://twitter.com/DeschanelBroey Citations (in order of appearance): Rojek, Chris. Celebrity, Reaktion Books (2001). Spears, Britney, Spears Lynne, and Sheryl Berk. Britney Spears’s Heart to Heart. New York: Three Rivers Press, (2000). Alter, Jonathan. “Princess Diana: Her Children, Her Love Life and Her Affect on a Generation” Newsweek (2007) Musial, Jennifer. "We're Country": Britney Spears, Southern White Femininity, and the American Dream, Feminist Formations (2019) Luckett, Moya. "Toxic: the implosion of Britney Spears's star image." Velvet Light Trap 65 (2010): 39+. Business Insights: Global. (2021) Meyers, Erin. ‘‘Can You Handle My Truth?’’: Authenticity and the Celebrity Star Image (2009) Sessums, Kevin. Miley Cyrus: 'I Know Who I Am Now' Parade (2010) Tolentino, Jia. Selena Gomez on Politics, Faith, and Making the Music of Her Career. Vogue (2021). Haskell, Rob. "Selena Gomez on Instagram Fatigue, Good Mental Health, and Stepping Back From the Limelight" Vogue (2017). Schumer, Amy. "Selena Gomez and Amy Schumer Discuss the Stuff That Matters (And Some Stuff That Doesn’t)" Interview Magazine (2020) Turner, Graeme, Understanding Celebrity, SAGE Publications (2014) Johnson, Richard. “Exemplary differences: Mourning (and not mourning) a princess” Routledge (1999). Turner, Graeme, Understanding Celebrity, SAGE Publications (2014). Giles, David C. Twenty-First Century Celebrity: Fame in Digital Culture, Emerald Publishing (2018) Jerslev, Anne. “In The Time of the Microcelebrity Celebrification and the YouTuber Zoella” International Journal of Communication (2016). Nunn and Biressi, ‘A trust betrayed’: celebrity and the work of emotion” Celebrity Studies (2010).

Épisode 17 - The Problem of Method Acting

7 juin 2021

Use code BROEY12 to get up to 12 FREE MEALS across your first 4 HelloFresh boxes, including free shipping on your first box at https://bit.ly/3fKUEr9 This video's alternate title is: Attack of the Theatre Nerd (me) Ellie Ellwand's website: https://www.ellieellwand.com/ Ellie's Instagram: https://www.instagram.com/ellie.ellwand/ Set Design by Hannah Raine Citations: Ayer quote about Leto https://uk.movies.yahoo.com/suicide-squad-david-ayer-made-the-cast-punch-each-171700255.html?guccounter=1&guce_referrer=aHR0cHM6Ly93d3cudGhlYXRsYW50aWMuY29tL2VudGVydGFpbm1lbnQvYXJjaGl2ZS8yMDE2LzA4L2hvbGx5d29vZC1oYXMtcnVpbmVkLW1ldGhvZC1hY3RpbmcvNDk0Nzc3Lw&guce_referrer_sig=AQAAAMk-HCn6GKVxSHy23wieunbdnewePbenby-5aHlt79Rr_EjlHRRljb1CjVfzAxtfP4nvQSzMFkF-cDndlt4lw_JTgMaquJMbYG31veVGafeNV2gXj5r8gp0LiKO7eMPr65ZmvXH7ocLHTc2pqmHK2remNZpBoyq5fkl3qVL8GY06 Balcerzak, Scott. Beyond Method: Stella Adler and the Male Actor, Wayne State University Press (2018). https://web-b-ebscohost-com.ezproxy.lib.ryerson.ca/ehost/detail/detail?vid=0&sid=1123a6b8-d550-450e-93d4-5b1cb9bd9f70%40pdc-v-sessmgr02&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=1769899&db=nlebk Bale “sissy” interview https://www.esquire.com/entertainment/a8920/christian-bale-interview-1210/ Baron, Cynthia and Sharon Marie Carnicke. Reframing Screen Performance, University of Michigan Press (2008). https://www.google.ca/books/edition/Reframing_Screen_Performance/OEc_DwAAQBAJ?hl=en&gbpv=1&printsec=frontcover Bastién, Jade Angelica, “Hollywood Has Ruined Method Acting,” The Atlantic (2016). https://www.theatlantic.com/entertainment/archive/2016/08/hollywood-has-ruined-method-acting/494777/ Benedetti, Jean. Stanislavski : An Introduction, Revised and Updated. Taylor & Francis Group (2004). https://ebookcentral-proquest-com.ezproxy.lib.ryerson.ca/lib/ryerson/reader.action?docID=243300 Bertolucci “realistic” quote https://www.ansa.it/web/notizie/rubriche/spettacolo/2013/09/17/Bertolucci-confessione-shock_9312378.html Bosworth, Patricia. “The Mentor and the Movie Star” Vanity Fair (2003) https://www.vanityfair.com/news/2003/06/marilyn-monroe-and-lee-strasberg-200306 Camus, Albert. The Myth of Sisyphus. Knopf Doubleday Publishing Group (2018). Conroy, Marianne. “Acting Out: Method Acting, the National Culture, and the Middlebrow Disposition in Cold War America” Criticism (1993) 35 (2): 239-263. https://www-jstor-org.ezproxy.lib.ryerson.ca/stable/pdf/23113572.pdf?refreqid=excelsior%3Aacf17e6cc943de76ca30ac4d59768633 Harrop, John. Acting, Taylor & Francis Group (2004). https://ebookcentral-proquest-com.ezproxy.lib.ryerson.ca/lib/ryerson/reader.action?docID=201266# Hollinger, Karen. The Actress: Hollywood Acting and the Female Star, Routledge (2006). https://books.google.ca/books?hl=en&lr=&id=89W0QMDjA7gC&oi=fnd&pg=PP1&dq=lee+strasberg+female+actors&ots=0glg9ms-Tn&sig=k7SkOAbySrT1RPaaRCG_QFvGj5o&redir_esc=y#v=onepage&q=method&f=false Malague, Rosemary. An Actress Prepares: Women and “the Method” Taylor & Francis (2013). https://www.google.ca/books/edition/An_Actress_Prepares/aaAsgJdqCIkC?hl=en&gbpv=1&printsec=frontcover Oldman’s ‘pain bag’ interview https://www.gq.com/story/gary-oldman-interview-chris-heath-oscar-nomination Plato’s Ion http://classics.mit.edu/Plato/ion.html Schulman, Michael. “How Meryl Streep Battled Dustin Hoffman, Retooled Her Role, and Won Her First Oscar.” Vanity Fair, (2016). https://www.vanityfair.com/hollywood/2016/03/meryl-streep-kramer-vs-kramer-oscar Walsh Jenkins, Linda and Susan Ogden-Malouf. “The Female Actor Prepares” Theatre (1985) 17 (1): 66–69. https://watermark.silverchair.com/ddthe_17_1_66.pdf?token=AQECAHi208BE49Ooan9kkhW_Ercy7Dm3ZL_9Cf3qfKAc485ysgAAApQwggKQBgkqhkiG9w0BBwagggKBMIICfQIBADCCAnYGCSqGSIb3DQEHATAeBglghkgBZQMEAS4wEQQM3SaXHYs9cGdVm-E7AgEQgIICRyHu-4UOEZcBew0boZy0TEDbNjaUy4qzwMXa7IOvkhtp30nVrt0vqHUtd_kozd5cBIuUJRcwOKjlMAZ-QkiLow0JDzIKW4Jqg7YDA5lvq47PGxXvao_zhOVFVp1toQ2NbClc0hFE4UCAcY3wtBsOIGlmEYOAyFkKFeHIc8X8aoxvjJw72LJLeemTLjgz_iLPoGAp5jfUqOmNKZ8pQKf2hTJETKXTqXL7GX1kS7k58gveyEOYBWBOjYHPm8lsSv8gC_FxeOIJm7c7M7XBQwGkvbG9s9CDHNsorZIWOMsKauao56nIbQmKb5bOGPbKjBNo6V8ChkpAH9Riup8IQdtJciXcaJWRDQpSDHDkgTYAfHOxDzXZvJPFq2ZWqGGYy67A3HomESifT2b3CJZZXwwT5RVuc1Pq5hIpeo9SVFvydLpcjHnRpZHJkCcIJtU4EzUK2Yf4Z6dAueoxZHFDrh4cyYdBt1P0_do78mUyNEjNAeiXGRSX3fqD6XxERZEBI_w-WSX6NYntH8D1lncm6ygsh5v1B79QxsqLHJi21saB-R5ZWxnFNs-B5OrQsHZ4PJmE3eBRJQwxAjJw8dHXIYo4G0XWZ1XfOOe4SIhWzi1pQ6bEY3Ea54yyVsJ6cD2_zIgDClklmaBy70LA1QkPzdoIEnrFLIzOqWtGwCxAg6UAanyDv_jCbcvDner0t3PCipqkjGK-r9L-fuZ77DaqQp1e_ZKuqv6E8fcLSq7IbP1i5Bp5T8e-Tv2QsO3YETrahC7gnP74iGLjfFE Follow me on insta (it's my personal account though!) Instagram: https://www.instagram.com/broey_deschanel/

Épisode 18 - Stripping the Layers of Sensual Dancing in Film

26 juillet 2021

Get a whole month of great cinema FREE on MUBI: https://mubi.com/broeydeschanel With the support of Creative Europe – MEDIA Programme of the European Union How has exotic dancing been represented in film history? From a scale of 1 to Flashdance, how bad is it? Organizations to support and resources for Sex Workers: The Canadian Alliance for Sex Work Law Reform https://sexworklawreform.com/ This is a coalition of a number of prominent sex worker led and allied organizations from across Canada. Including: Butterfly Asian and Migrant Sex Worker Support Network, HIV Legal Network, Maggie's: Toronto Sex Workers Action Project, Maggie's Indigenous Sex Work Drum Group, Migrant Sex Workers Project (MSWP) and more! You can look at each organization’s website by going to about - member groups. Sex Workers Project https://sexworkersproject.org/ The Sex Workers Project provides client-centered legal and social services to individuals who engage in sex work, regardless of whether they do so by choice, circumstance, or coercion. The Sex Workers Project is a project at the Urban Justice Center which serves low-income and marginalized New Yorkers through a unique combination of direct legal services, systemic advocacy, community education, and organizing. TGI Justice Project http://www.tgijp.org/ TGI Justice Project is a group of transgender, gender variant and intersex people—inside and outside of prisons, jails and detention centers—creating a united family in the struggle for survival and freedom. San Francisco-based. Sex Workers Outreach Project USA https://swopusa.org/ Sex Workers Outreach Project-USA is a national social justice network dedicated to the fundamental human rights of people involved in the sex trade and their communities, focusing on ending violence and stigma through education and advocacy. SWARM (Sex Worker Advocacy and Resistance Movement) https://www.swarmcollective.org/ SWARM is a UK-based collective founded and led by sex workers who believe in self-determination, solidarity and co-operation. They campaign for the rights and safety of everyone who sells sexual services. They also organize skill-shares and support meet-ups just for sex workers, as well as public events. National Ugly Mugs (NUM) https://nationaluglymugs.org/ NUM is a UK-wide charity working with sex workers to do research, design and deliver safety tools and to provide support services to people in adult industries. The Global Network of Sex Work Projects (NSWP) https://www.nswp.org/ NSWP is a membership organization that upholds the voice of sex workers globally and connect regional networks advocating for the rights of female, male, and transgender sex workers. Its members are local, national or regional sex worker-led organizations and networks across five regions: Africa, Asia and the Pacific, Europe, Latin America and North America and the Caribbean. Thank you to my patron Libby for the title idea! Thumbnail by Nick Woodcock Support me on Patreon!: https://www.patreon.com/broeydeschanel Follow me on my personal instagram (but don't be weird :P): https://www.instagram.com/broey_deschanel/

Épisode 20 - Love Island: A Flirtation With Surveillance

29 septembre 2021

Get a whole month of great cinema FREE on MUBI: https://mubi.com/broeydeschanel With the support of Creative Europe – MEDIA Programme of the European Union Resources if you or a friend are struggling: Samaritans - United Kingdom: 116 123 https://www.samaritans.org/ The National Suicide Prevention Hotline - United States: 1-800-273-8255 https://suicidepreventionlifeline.org/ NAMI (the National Alliance on Mental Illness) - United States: https://www.nami.org/Home Crisis Services Canada: 1.833.456.4566 https://www.crisisservicescanada.ca/en/ ------------------------------------------------------------------------------------------------------ Thumbnail by Nick Woodcock Patreon: https://www.patreon.com/broeydeschanel Instagram: https://www.instagram.com/broey_deschanel/ Hannah's Instagram: https://www.instagram.com/hannahmraine/ Twitter: https://twitter.com/DeschanelBroey Further Watching: Alice Cappelle's video on vloggers and the panopticon: https://www.youtube.com/watch?v=IDklDH4PVAs&ab_channel=AliceCappelle Tara Mooknee's video on Love Island and hollow diversity: https://www.youtube.com/watch?v=NxPry8SXpTI&ab_channel=TaraMooknee Ada on Demand's video on Love Island and misogynoir: https://www.youtube.com/watch?v=f5vvCwIL8bE&t=61s&ab_channel=AdaOnDemand Sources and Further Reading: Deery, June. Reality TV, Polity Press, (2015) Goldfine, Jael. "The Strange Magic of Iain Stirling’s Narration on Love Island UK," GQ (2021). Jeong, Sarah. “‘Love Island’ Is a Riveting Human Rights Violation” The New York Times (2019). Kavka, Misha. Reality TV, Edinburgh University Press (2012). Klein, Amanda Ann. "Millennials Killed the Video Star", Duke University Press, (2021). L'Hoiry, Xavier. “Love Island, Social Media, and Sousveillance: New Pathways of Challenging Realism in Reality TV” Frontiers, (2019). Mathiesen, Thomas. (1997). “The Viewer Society: Michel Foucault’s ‘Panopticon’ Revisited.In: Theoretical Criminology, 1(2): 215‐234. Poster, Mike. “Databases as Discourse, or Electronic Interpellations” U of Minnesota Press (1996). https://researchvalues2018.files.wordpress.com/2017/12/poster-database-discourse.pdf Stoppard, Lou. "The Glorious Depravity of the British “Love Island”," The New Yorker. Wong, James . “Here's looking at you: Reality TV, Big Brother, and Foucault” . Canadian Journal of Communication ; Toronto Vol. 26, Iss. 4, (2001): 489-501. Niall's interview: https://www.independent.co.uk/arts-entertainment/tv/news/love-island-niall-aslam-autism-psychotic-episode-b1875303.html Zara's interview: https://www.dailymail.co.uk/news/article-7042803/The-hateful-truth-Love-Island-Ex-Miss-GB-reveals-contestants-told-say.html "Logistical Difficulties" quote: https://www.them.us/story/love-island-producers-say-lgbtq-contestants-pose-difficulties

Épisode 23 - Why No One Wins the Fast Fashion Debate

20 décembre 2021

Save 25% on your first Native Plastic-Free Deodorant Pack - normally $39, you’ll get it for $29! Click here https://bit.ly/nativebroey and use my code BROEY #AD Thank you to Mojeane for the lights, Isaac for the lavs, and to Sam for the zoom! Dorian Gray meme by: https://www.instagram.com/fooldistrict/ Patreon: https://www.patreon.com/broeydeschanel Instagram: https://www.instagram.com/broey_deschanel/ Twitter: https://twitter.com/DeschanelBroey Sources: Aja Barber. "The History of Fast Fashion" Slow Factory. https://slowfactory.earth/courses/history-of-fast-fashion/ Sven Beckert. Empire of Cotton: A Global History. Knopf Doubleday Publishing Group (2014). https://www.google.ca/books/edition/Empire_of_Cotton/UyyOAwAAQBAJ?hl=en&gbpv=0 Doeringer, P., & Crean, S. Can fast fashion save the US apparel industry?. SocioEconomic Review, 4(3), (2006) 353-377. Arturo Escobar. Encountering Development: The Making and Unmaking of the Third World. Princeton University Press (1995). "Fashion and Waste: An Uneasy Relationship" CO Data https://www.commonobjective.co/article/fashion-and-waste-an-uneasy-relationship#:~:text=Of%20that%20vast%20majority%20of,up%20in%20the%20waste%20stream. “Fast Fashion Needs to Slow Down for the Climate” Climate Council (2021) https://www.climatecouncil.org.au/resources/fast-fashion-climate-change/ "How Much Do Our Wardrobes Cost to the Environment?" The World Bank (2019). https://www.worldbank.org/en/news/feature/2019/09/23/costo-moda-medio-ambiente Ngan Le. “The Impact of Fast Fashion on the Environment” Princeton Student Climate Initiative (2020). "Net-Zero Challenge: The supply chain opportunity" World Economic Forum (2021). https://www3.weforum.org/docs/WEF_Net_Zero_Challenge_The_Supply_Chain_Opportunity_2021.pdf Majid Rahnema. “Global Poverty: A Pauperizing Myth” Inter-culture, vol xxiv, no.2 (Spring 1991). Amartya Sen, Development as Freedom, Oxford University Press, 1999. Dana Thomas. Fashionopolis: the Price of Fashion - and the Future of Clothes. Head of Zeus (2020).

Épisode 24 - Licorice Pizza: Does Depiction Equal Endorsement?

25 janvier 2022

Get the Karma shopping assistant: https://shop.karmanow.com/BroeyDeschanel Let's get to the bottom of this... swamp! Thumbnail by Alex Short: https://www.instagram.com/_false_aperture/ Lola's CMBYN video: https://www.youtube.com/watch?v=hVp1F7I1kjI&t=1095s&ab_channel=LolaSebastian Lolita Podcast: https://www.iheart.com/podcast/1119-lolita-73899842/ RAINN is America's largest anti-sexual violence organization. RAINN created and operates the National Sexual Assault Hotline (800.656.HOPE, online.rainn.org y rainn.org/es) in partnership with more than 1,000 local sexual assault service providers across the country and operates the DoD Safe Helpline for the Department of Defense. RAINN also carries out programs to prevent sexual violence, help survivors, and ensure that perpetrators are brought to justice. You can donate to RAINN here: https://give.rainn.org/a/donate Kids Help Phone is Canada’s only 24/7 e-mental health service offering free, confidential support to young people in English and French. You can donate, partner, or volunteer with Kids Help Phone here: https://kidshelpphone.ca/get-involved/home/ Youthspace.ca is a Canadian online crisis & emotional support chat service. They listen without judgement, and keep chats confidential & anonymous. You can access Youthspace's service here: https://www.youthspace.ca/ or donate to them here: https://www.canadahelps.org/en/dn/56586 Patreon: https://www.patreon.com/broeydeschanel Instagram: https://www.instagram.com/broey_deschanel/ SOURCES: Walter Benjamin, “The Work of Art in the Age of Its Technological Reproducibility” (1935). Stuart Hall, “Encoding and Decoding in the Television Discourse” Paper for the Council Of Europe Colloquy on "Training In The Critical heading Of televisual language" (1973). Stuart Hall, "Notes on Deconstructing the Popular" from Essential Essays, Vol 1, Duke University Press (1981). Janice Radaway. “Reading Is Not Eating: Mass-Produced Literature and the Theoretical Methodological and Political Consequences of a Metaphor” Book Research Quarterly, 2(3) (1986) 7-29. RAINN Article on Grooming https://www.rainn.org/news/grooming-know-warning-signs Tenbergen et al article: https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4478390/#:~:text=Pedophilia%20is%20defined%20as%20an,in%20case%20of%20additional%20factors. Virginia Woolf, “The Cinema” (1926). https://modvisart.blogspot.com/2006/04/virginia-woolf-cinema-1926.html

Épisode 25 - Eyes Wide Shut: Stanley Kubrick's Swan Song

26 février 2022

Jessica Hausner’s AMOUR FOU is now streaming on MUBI in Canada. Get a whole month of great cinema for free: https://mubi.com/broeydeschanel What exactly is wrong with Eyes Wide Shut? Let’s find out! Music is from Epidemic Sound SOURCES: Seth Abramovich. “Searching for Shelley Duvall: The Reclusive Icon on Fleeing Hollywood and the Scars of Making ‘The Shining’” The Hollywood Reporter (2021). https://www.hollywoodreporter.com/feature/searching-for-shelley-duvall-the-reclusive-icon-on-fleeing-hollywood-and-the-scars-of-making-the-shining-4130256/ Georges Bataille, Erotism: Death and Sensuality, City Lights Publishers (1986). Roger Ebert. “Eyes Wide Shut” (1999). https://www.rogerebert.com/reviews/eyes-wide-shut-1999 Kevin Filipski. “Jan Harlan Keeps His Eyes Wide Open On New Ideas” Times Square (2007). https://web.archive.org/web/20120226124101/http://timessquare.com/Film/Film_Interviews/Jan_Harlan_Keeps_His_Eyes_Wide_Open_On_New_Ideas/ Michael Herr, “Kubrick” Vanity Fair, (2000). https://www.vanityfair.com/hollywood/2010/04/kubrick-199908 James Israel. “Kubrick Apparently Thought “Eyes Wide Shut” Was A ‘Piece of Shit’?” Indie Wire (2006). https://www.indiewire.com/2006/10/kubrick-apparently-thought-eyes-wide-shut-was-a-piece-of-shit-219955/ Robert Kolker and Nathan Abrams, “The Elusive Jewishness of “Eyes Wide Shut” — Stanley Kubrick’s Final Film” Forward (2019). https://forward.com/culture/423562/the-elusive-jewishness-of-eyes-wide-shut-stanley-kubricks-final-film/ Audre Lorde, “The Uses of the Erotic” Sister Outsider, Crossing Press (1984). Stefan Mattessich, “Grotesque Caricature: Stanley Kubrick’s Eyes Wide Shut as the Allegory of Its Own Reception” Postmodern Culture, Volume 10, Number 2, (2000). Amy Nicholson, Eyes Wide Shut at 15: Inside the Epic, Secretive Film Shoot that Pushed Tom Cruise and Nicole Kidman to Their Limits, Vanity Fair (2014). https://www.vanityfair.com/hollywood/2014/07/eyes-wide-shut-tom-cruise-nicole-kidman Paul O’Callaghan, “Eyes Wide Shut, 20 years on: how does Stanley Kubrick’s last testament stand up?” BFI (2021). https://www.bfi.org.uk/features/eyes-wide-shut-stanley-kubrick-tom-cruise-nicole-kidman Stephen Pizzello, “A Sword in the Bed: Eyes Wide Shut” American Cinematographer (2020). https://ascmag.com/articles/a-sword-in-the-bed-eyes-wide-shut Ed Power, “Eyes Wide Shut: 20 years on, Stanley Kubrick’s most notorious film is still shrouded in mystery” Independent (2019). https://www.independent.co.uk/arts-entertainment/films/features/eyes-wide-shut-stanley-kubrick-tom-cruise-nicole-kidman-marriage-film-plot-a9083926.html Jonathan Rosenbaum & Peter Loewenberg in Depth of Field: Stanley Kubrick, Film, and the Uses of History, University of Wisconsin Press (2006). Schnitzler to Theodor Reik, December 31, 1913, Schnitzler Briefe, 1913-31, 35-36. Lee Siegel, “EYES WIDE SHUT: WHAT THE CRITICS FAILED TO SEE IN KUBRICK’S LAST FILM” Harper’s October 1999: 76-83. Linda Ruth Williams, The Erotic Thriller in Contemporary Cinema, Indiana University Press, (2005).

Épisode 28 - Valley of the Dolls: Why We Love This Awful Movie

27 mai 2022

The first 1,000 people to use my code broeydeschanel0622 or use this link to sign up will get a 1 month free trial of Skillshare: https://skl.sh/broeydeschanel06221 Intro song: Diamonds & Rust - Joan Baez, Instrumental Cover by Kittenclaws Guitar Videos https://www.youtube.com/watch?v=DQMr0F4F9fk&ab_channel=KittenclawsGuitarVideos Here’s the original song by Miss Joan: https://www.youtube.com/watch?v=IrVD0bP_ybg&ab_channel=JoanBaez-Topic Quote Narrators: Nathan: (Acolytes of Horror): https://www.youtube.com/c/NathansArtProject Izzy: (Be Kind Rewind): https://www.youtube.com/channel/UCNiolZNLiJplmCCzqk9-czQ Lola (Lola Sebastian): https://www.youtube.com/c/LolaSebastian Sam (We’re In Hell): https://www.youtube.com/c/WereInHell Socials + Support the Channel: Patreon: https://www.patreon.com/broeydeschanel Instagram: https://www.instagram.com/broey_deschanel/ Twitter: https://twitter.com/DeschanelBroey Videos about transphobia in pop culture: Jessie Gender - The Pop Culture Fetishization of Trans Women https://www.youtube.com/watch?v=VNOL0Ts1jEE&t=24s&ab_channel=JessieGender Lindsay Ellis - Tracing the Roots of Pop Culture Transphobia https://www.youtube.com/watch?v=cHTMidTLO60&t=1104s&ab_channel=LindsayEllis SOURCES: Jack Babuscio “Camp and the Gay Sensibility” in Queer Cinema: The Film Reader, Routledge (2004). Thomas Doherty, “SEX, VIOLENCE, AND ADULT THEMES: The MPAA and the Birth of the Film Ratings System” Cinéaste, Vol. 42, No. 4 (Fall 2017). Richard Dyer, "The Politics of Gay Culture," in Homosexuality: Power and Politics, ed. Gay Left Collective (London: Allison and Busby, 980), 179. Ken Feil, Fearless Vulgarity: Camp Love as Queer Love for Jackie Susann and Valley of the Dolls, Wayne State University (2022). Amy Fine Collins, “Once Was Never Enough” Vanity Fair (2013). https://www.vanityfair.com/culture/2000/01/jacqueline-susann-valley-of-the-dolls-books Richard Henke “Imitation of Life: Imitation World of Vaudeville” Jump Cut, no. 39, (June 1994). pp. 31-39 David Herzberg, “"The Pill You Love Can Turn on You": Feminism, Tranquilizers, and the Valium Panic of the 1970s” American Quarterly, Vol. 58, No. 1 (Mar., 2006). Donald Liebenson, “Why Valley of the Dolls Still Sparkles at 50”, Vanity Fair (2017). https://www.vanityfair.com/hollywood/2017/12/valley-of-the-dolls-50th-anniversary Stephen Rebello, Dolls! Dolls! Dolls! Deep Inside Valley of the Dolls, the Most Beloved Bad Book and Movie of All Time, Penguin Books (2020). Matt Singer, “How ‘Beyond the Valley of the Dolls’ Reveals Roger Ebert’s Values as a Film Critic” IndieWire (2013). https://www.indiewire.com/2013/04/how-beyond-the-valley-of-the-dolls-reveals-roger-eberts-values-as-a-film-critic-128117/ Susan Sontag, "Notes on Camp," in A Susan Sontag Reader (New York: Farrar, Straus, Giroux, 1982), 109.

Épisode 29 - Greta Gerwig, Representation, and the Universal Girl

28 juin 2022

Click here https://www.helixsleep.com/broey for up to $200 off your Helix Sleep mattress plus two free pillows! Free shipping within the US! #helixsleep Thumbnail by Alex Short: https://www.instagram.com/_false_aperture/ Socials + Support the Channel: Patreon: https://www.patreon.com/broeydeschanel Instagram: https://www.instagram.com/broey_deschanel/ Twitter: https://twitter.com/DeschanelBroey SCRIPT CONSULTANT CHANNELS: Lady Knight the Brave: https://www.youtube.com/c/Ladyknightthebrave Mina Le: https://www.youtube.com/c/minale99 SOURCES: Simone de Beauviour, “Introduction” in The Second Sex, Knopf Doubleday Publishing Group (1949). Hannah Black “The Identity Artist and the Identity Critic” Artforum (2016). Zeba Blay, “Interview: 'Girlhood' Director Celine Sciamma on Race, Gender & the Universality of the Story” Indie Wire (2015). Silvia Bovenschen, “Is There a Feminine Aesthetic?” New German Critique, no.10 (1977). Monica Castillo, “Why ‘Real Women Have Curves’ Never Got Its ‘Lady Bird’ Moment” The New York Times (2018). Mary Ann Doane , “Film and the Masquerade: Theorizing the Female Spectator” Screen, Volume 23 (1982). Julie Drew Cultural Composition: Stuart Hall on Ethnicity and the Discursive Turn Jac, (1988). Caitlin Flanagan, “Little Women’s Real Feminist Problem,” The Atlantic (2020). Kaitlyn Greenidge, “The Bearable Whiteness of ‘Little Women’” The New York Times (2020). Heven Haile, “Coming of Age So White: Lady Bird and Real Women Have Curves as Tributes to Messy Young Women” Medium (2021). Stuart Hall, “Cultural Identity and Cinematic Representation” Framework: The Journal of Cinema and Media No. 36 (1989). Stuart Hall, “Cultural Identity and Diaspora” in Undoing Place? Routledge (1997). bell hooks, “The Oppositional Gaze: Black Female Spectators” Black Looks: Race and Representation (1992). David Kaufman, “The success of “Lady Bird” shows white stories can work half as hard for twice the acclaim,” Quartz (2017). Anika Kaul, “Greta Gerwig and White Feminism in Film,” Varsity (2021). Christian Metz, The Imaginary Signifier: Psychoanalysis and the Cinema, Indiana University Press (1982). Geetha Ramanathan, Feminist Auteurs: Reading Women's Films, Wallflower Press (2006). Brandon Taylor, “a little life is not your father” Substackd (May 25 2022). Awra Tewolde-Berhan, “Girlhood - A Review: Fatally Flawed Examination of a Young Black Girl’s Life” What’s On Africa (2015). Patricia White, “Ambidextrous Authorship: Greta Gerwig and the Politics of Women’s Genres” LA Review of Books (2020).

Épisode 30 - Bergman Island: Art, Love, and the Unbearable Process of Making

22 juillet 2022

This video was made in collaboration with MUBI for the release of Bergman Island on MUBI in the UK and Ireland! The film is free to watch for 30 days at http://mubi.com/broeydeschanel ! Follow me! Patreon: https://www.patreon.com/broeydeschanel Instagram: https://www.instagram.com/broey_deschanel/ Twitter: https://twitter.com/DeschanelBroey Alice's channel: https://www.youtube.com/c/AliceCappelle Thumbnail by Alexi Short: https://www.instagram.com/_false_aperture/ SOURCES: “Mia Hansen-Løve, Vicky Krieps, and Anders Danielson Lie on Bergman Island | NYFF59” https://www.youtube.com/watch?v=yGigo-lGZhc&ab_channel=FilmatLincolnCenter Stuart Jeffries, “‘We can forgive even bad fathers’: Mia Hansen-Løve on making a movie haunted by Ingmar Bergman” The Guardian (2022). https://www.theguardian.com/film/2022/may/20/film-director-mia-hansen-love-ingmar-bergman David Jenkins, “Mia Hansen-Løve: ‘I admire Bergman’s aptitude for being alone’” Little White Lies (2022). https://lwlies.com/interviews/mia-hansen-love-i-admire-bergmans-aptitude-for-being-alone/ Paisley Livingston, Bergman and the Rituals of Art, Cornell University Press (1982). Kate MacKay, “Life Goes On: The Films of Mia Hansen-Løve” BAMPFA (2019). https://bampfa.org/program/life-goes-films-mia-hansen-love Raphael Shargel ed., Ingmar Bergman: Interviews, University Press of Mississippi Jackson (2007). Irving Singer, Ingmar Bergman, Cinematic Philosopher: Reflections on His Creativity, MIT Press (2007). Eleanor Watchel, “Mia Hansen-Løve's new movie, Bergman Island, is an intimate homage to the great Swedish director” CBC Radio (2021). https://www.cbc.ca/radio/writersandcompany/mia-hansen-l%C3%B8ve-s-new-movie-bergman-island-is-an-intimate-homage-to-the-great-swedish-director-1.6220959 Fårö Drone Footage https://www.youtube.com/watch?v=Qvf07HQwyQk&ab_channel=PriyamGhosh

Épisode 32 - Elvis (2022) and the Utter Mediocrity of Biopics

27 septembre 2022

Whether you’re upgrading your iPhone or not, head to casetify.com for their latest iPhone 14 Impact Case Series, as well as their cases for iPhone 13 or earlier devices! Go to http://casetify.com/broeydeschanel today to get 15% off your order! Follow Brooks and Carlo if you're interest in learning more about music history! Brooks: https://www.tiktok.com/@soulsugarjoint Carlo: https://www.instagram.com/mezza.cowbell Thumbnail by Hannah Raine: https://www.instagram.com/hannahmraine/ FOLLOW ME Patreon: https://www.patreon.com/broeydeschanel Instagram: https://www.instagram.com/broey_deschanel Twitter: https://twitter.com/DeschanelBroey SOURCES Amy Absher, The Black Musician and the White City, “From South to South Side: Musicians in 1940s Chicago”, University of Michigan Press. (2014). Dennis Bingham, Whose Lives Are They Anyway?: The Biopic as Contemporary Film Genre, Rutgers (2010). Peter Carlson, “When Elvis Met Nixon”, Smithsonian Magazine (2010). George Frederick Custen, Bio/pics: How Hollywood Constructed Public History, Rutgers (1992). Yohana Desta, “Elvis: What Did Black Artists of the Era Really Think of Presley?”, Vanity Fair (2022). Erika Doss, Shrines and Pilgrimage in the Modern World: New Itineraries into the Sacred, Amsterdam University Press (2008). Lucy Fischer, “Marlene”: Modernity, Mortality, and the Biopic, Biography, Vol. 23, No. 1 (Winter 2000). Rosa Fisher, “Constructing Tin Pan Alley: From Minstrelsy to Mass Culture”. https://www.pearsonhighered.com/assets/samplechapter/0/2/0/5/0205940722.pdf Joel Gordon, “Film, Fame, and Public Memory: Egyptian Biopics from Mustafa Kamil to Nasser 56” International Journal of Middle East Studies Vol. 31, No. 1 (Feb., 1999). Chris Jancelewicz, “The ‘whitewashing’ of Black music: A dark chapter in rock history” Global News (2021). Mitchell K. Hall, The Emergence of Rock and Roll: Music and the Rise of American Youth Culture, Routledge (2014). Cheryl L. Keyes, “The Aesthetic Significance of African American Sound Culture and Its Impact on American Popular Music Style and Industry” The World of Music Vol. 45, No. 3, Cross-Cultural Aesthetics (2003). “B.B. King”, American Roots Music: Oral Histories, PBS. https://www.pbs.org/americanrootsmusic/pbs_arm_oralh_bbking.html Lehtisalo, Anneli, “As if Alive before Us: The Pleasures of Verisimilitude in Biographical Fiction Films”. New Readings 11 (2011). Eric Lott, “All the King’s Men: Elvis Impersonators and White Working-Class Masculinity”, Race and the Subject of Masculinities. Tessa Maclean, “Preserving Utopia: Musical Style in Baz Lurhmann’s The Great Gatsby”, Literature Film Quarterly, 2016. Parke Puterbaugh, “Little Richard: ‘I Am the Architect of Rock & Roll’ Rolling Stone (1990). Elsie Walker. “Pop Goes the Shakespeare: Baz Lurhmann’s William Shakespeare’s Romeo + Juliet.” Literature Film Quarterly 28:2 (2000). Rob Warden, “Elvis Volunteered to Inform for the FBI, 1970 Memo says”, Washington Post (1978).

Épisode 35 - Saturday Night Fever and the Death of Disco

29 décembre 2022

Pedro Almodóvar's THE HUMAN VOICE is streaming on MUBI in Canada, the UK, and many other countries. Get a whole month of great cinema FREE on MUBI: https://mubi.com/broeydeschanel Rehash Podcast: https://anchor.fm/rehashpodcast Rehash Patreon: https://www.patreon.com/rehashpodcast Follow and support this channel! Patreon: https://www.patreon.com/broeydeschanel Instagram: https://www.instagram.com/broey_deschanel/ Twitter: https://twitter.com/DeschanelBroey “The Untold History of Disco” Polyphonic: https://www.youtube.com/watch?v=q_c2dCO5WLo&t=103s&ab_channel=Polyphonic Intro song (More Than a Woman cover arrangement - Orsay Music): https://www.youtube.com/watch?v=uoXSptTDk7o&ab_channel=orsaymusic Thumbnail by Hannah Raine: https://www.instagram.com/hannahmraine/?hl=en SOURCES Nick Cohn, “Tribal Rites of the New Saturday Night” New York Mag (1976). Richard Dyer, "In Defence of Disco" Gay Left, no.8 (1979). Alice Echols, Hot Stuff: Disco and the Remaking of American Culture, W.W. Norton (2010). Nadine Hubbs, “'I Will Survive': Musical Mappings of Queer Social Space in a Disco Anthem” Popular Music Vol. 26, No. 2 (May, 2007). Margherita Heyer-Caput, “Italian-American Urban Hyphens in Saturday Night Fever” Italian Americana Vol. 29, No. 1 (Winter 2011). Tavia Nyong'o, “I Feel Love: Disco and its Discontents” Criticism Vol. 50, No. 1, Special Issue: Disco (Winter 2008). Lisa Robinson, “Boogie Nights” Vanity Fair (2010). John Rockwell, “POP VIEW; Rock vs. Disco: Who Really Won the War?” The New York Times (1990). Ioana Stamatescu, “Le freak, c’est chic! Disco Culture and Whit Stillman’s The Last Days of Disco” Synergy, vol. 13, no. 1 (2017). Joshua Williams, “The Death of Disco Did Not Take Place: Disco Demolition Night and The Rhetorical Destruction of Disco” The Macksey Journal, Vol. 2. (2021). Paul Williams, “too black, too gay: the disco inferno” Duke University Press (2003).

Épisode 41 - Are Film Critics a Dying Breed?

26 octobre 2023

Subscribe to Notebook magazine at https://mubi.com/magazine or check out the digital Notebook at https://mubi.com/notebook And as always, get a whole month of great cinema FREE on MUBI: https://mubi.com/broeydeschanel There's a crisis happening in film criticism right now... but why? Check out Be Kind Rewind on Youtube!: https://www.youtube.com/@UCNiolZNLiJplmCCzqk9-czQ Saffron's website: https://www.saffronmaeve.com/ Rehash Podcast and Patreon: Podcast: https://podcasters.spotify.com/pod/show/rehashpodcast Patreon: https://www.patreon.com/rehashpodcast Follow and support the channel: Patreon: https://www.patreon.com/broeydeschanel Instagram: https://www.instagram.com/broey_deschanel/ Twitter: https://twitter.com/DeschanelBroey SOURCES: The Daily, “Our Film Critic on Why He’s Done With the Movies” The New York Times (2023). Roger Ebert, “Do the Right Thing”, Roger Ebert (1989). Stephen Farber, “FILM: The Power of Movie Critics” The American Scholar, Vol. 45, No. 3 (Summer 1976). Stephen Farber, “‘Graffiti’ Ranks with ‘Bonnie and Clyde’”, (1973), The New York Times. Nick James, “Rip It Up: Revitalizing Film Criticism” Film Quarterly, Vol. 62, No. 3 (Spring 2009). Nick James, “Who Needs Critics?” Sight and Sound (2012). Ian Jarvie, Towards an Objective Film Criticism” Film Quarterly, vol. 14 (3) (1961). Pauline Kael, “The Current Cinema: Tango”, (1972), The New Yorker. Manuela Lazic, Who needs film critics when studios can be sure influencers will praise their films?” The Guardian (2023). Geoffrey Nowell-Smith, “The Rise and Fall of Film Criticism” Film Quarterly, Vol. 62, No. 1 (2008). Michael Powell, “A Survivor of Film Criticism’s Heroic Age” The New York Times (2009). B. Ruby Rich, Film Criticism in the Era of Algorithms” Film Quarterly, vol. 70 (2) (2016). Martin Scorsese, “Martin Scorsese: talk to me about great films, not ‘content’” The Guardian (2021). A.O Scott, “And Now Let’s Review …” The New York Times (2023). Reggie Ugwu, They Review Movies on TikTok, but Don’t Call Them Critics” The New York Times (2023).

Épisode 44 - How I Learned to Stop Worrying and Love Real Housewives

31 janvier 2024

Get a whole month of great cinema FREE on MUBI: https://mubi.com/broeydeschanel Why was the Real Housewives of Salt Lake City finale the "best reality TV episode in history"? And why did we perceive it so differently from last year's "best episode", Vanderpump Rules' #Scandoval? Follow and support the channel: Patreon: https://www.patreon.com/broeydeschanel Instagram: https://www.instagram.com/broey_deschanel/ Twitter: https://twitter.com/DeschanelBroey Listen to Rehash! https://podcasters.spotify.com/pod/show/rehashpodcast SOURCES: Jacquelyn Arcy, “The Digital Money Shot: Twitter wars, The Real Housewives, and transmedia storytelling,”, Celebrity Studies (2018). Kate Authur, “Heather Gay Tells All: The Receipts! Proof! Timelines! of the Shocking ‘Real Housewives of Salt Lake City’ Finale and Reunion (EXCLUSIVE)” Variety (2024). Kate Aurthur, “Inside How ‘Vanderpump Rules’ Captured the #Scandoval (EXCLUSIVE)” Variety (2023). Kate Aurthur, “‘Vanderpump Rules’ #Scandoval Finale Episode Hits Series-High Ratings for Bravo” Variety (2023). John Ellis, “The Performance on Television of Sincerely Felt Emotion” The Annals of the American Academy of Political and Social Science, vol. 625 (2009). Kevin Fallon, “Monica From ‘RHOSLC’ Is an All-Time Great Reality TV Villain. Should She Be Fired?” The Daily Beast (2024). Laura Grindstaff, The Money Shot: Trash, Class, and the Making of TV Talk Shows University of Chicago (2002). Anna Peele, “Inside the Real Housewives Reckoning That’s Rocking Bravo” Vanity Fair (2023). Evie Psarras, “‘It’s a mix of authenticity and complete fabrication” Emotional Camping: The Cross Platform Labor of the Real Housewives,” New Media & Society, Vol 24, Issue 6 (2020). Emma Rosenblum, “The Natural” Vanity Fair (2010). Graeme Turner, Ordinary People and the Media: The Demotic Turn, SAGE (2009).

Épisode 45 - Saltburn: The Tumblr-ification of Cinema

28 février 2024

Compare news coverage. Spot media bias. Avoid algorithms. Try Ground News today and get 40% off your subscription by going to https://ground.news/broeydeschanel Saltburn (or, the Untalented Mr. Ripley) is a deeply unoriginal piece of filmmaking. What does it say about our culture today? Follow and support the channel: Patreon: https://www.patreon.com/broeydeschanel Instagram: https://www.instagram.com/broey_deschanel/ Twitter: https://twitter.com/DeschanelBroey SOURCES: Peter Bradshaw, “Review: The Talented Mr. Ripley”. The Guardian (2000). Richard Brody, “”Saltburn is a Brideshead for the Incel Age” The New Yorker (2023). David Carr, “Anthony Minghella, 54, Director, Dies” The New York Times (2008). Patrick Cremona, “Emerald Fennell plays down Saltburn's Talented Mr Ripley comparisons” Radio Times (2023). Roger Ebert, “The Talented Mr. Ripley”, Roger Ebert (1999). David Edelstein, “How (and Why) Anthony Minghella’s Talent Wasn’t Quite Fulfilled” New York Magazine (2008). Mark Harris, “Honoring Anthony Minghella” Entertainment Weekly (2008). Mario Falsetto ed. Anthony Minghella: Interviews, University of Mississippi (2013). Todd McCarthy, “The Talented Mr. Ripley”, Variety, (1999). Janet Maslin, “‘The Talented Mr. Ripley’: Carnal, Glamorous and Worth the Price”, The New York Times (1999). Craig McLean, “Emerald Fennell on our “sadomasochistic relationship with the aristocracy”” The Face (2023). Craig McLean, “Saltburn’s cultural blueprint: the books, films and music that inspired the film” The Face (2023). Adam Nayman, “‘Saltburn’ is stylish but shallow, like a subpar ‘White Lotus’ episode” The Toronto Star (2023). Terence Patrick Murphy and Kelly S. Walsh “Coincidence and Counterfactuality: The Multiple Plot Structure of The talented Mr. Ripley (1999)” Film Criticism, Vol. 42, No.1 (2018). Anna Pochmara, “I Don’t Think I Have an Attention Span for Real Life Anymore”: Excessive Stimulation, Sense of Meaninglessness, and Boredom in Sam Levinson’s Euphoria,” European Journal of American Studies, vol. 7 (4) (2022). Frank Rich, “The Talented Mr. Minghella”, The Guardian (2000). Charles Taylor, “The Talented Mr. Ripley” Salon, (1999). Michael Trask, “Patricia Highsmith’s Method”, American Literary History. Vol. 22, No. 3 (Fall 2010). Kelley Wagers, “Tom Ripley, Inc.: Patricia Highsmith’s Corporate Fiction”, Contemporary Literature, Vol. 54, No. 2 (2013).

Épisode 46 - Anatomy of a Rom Com

30 mars 2024

Get Nebula using my link for 40% off an annual subscription: https://go.nebula.tv/broeydeschanel Watch Taboo on Screen on Nebula: https://nebula.tv/taboo Anyone But You was supposed to revive the rom com, but it's missing something. This video breaks down the components of the Hollywood romantic comedy, and what gives it that magical quality! Thumbnail by Hannah Raine Follow and support the channel! Patreon: https://www.patreon.com/broeydeschanel Instagram: https://www.instagram.com/broey_deschanel/ Twitter: https://twitter.com/DeschanelBroey SOURCES: Yohana Desta, “Maybe Nancy Meyers Doesn’t Want You to Stop Focusing on Her Beautiful Movie Kitchens” Vanity Fair (2019). James J. Dowd and Nicole R. Pallotta, “The End of Romance: The Demystification of Love in the Postmodern Age” Sociological Perspectives, Vol. 43, No. 4 (Winter, 2000). Nora Ephron, “Moving On, A Love Story” The New Yorker (2006). Megan Feeney, “The Plight of the Rom-Com in the Post-Romantic Era” Cinéaste, Vol. 47 (4) (2022). Helen Fielding, Independent Columns (1995). http://bridgetarchive.altervista.org/index1995.htm Hadley Freeman, “Nancy Meyers: ‘I don’t see a lot of movies about complicated women … I think it’s gotten worse’” The Guardian (2015). Roberta Garrett, “Female Fantasy and Post-Feminist Politics in Nora Ephron’s Screenplays” Journal of Screenwriting, vol. 3 (2) (2012). Brian Henderson, “Romantic Comedy Today: Semi-Tough or Impossible?” Film Quarterly , Summer, 1978, Vol. 31, No. 4 (Summer, 1978). Benjamin Lee, “Anyone But You review – slick but soulless romantic comedy” The Guardian (2023). Paula Marantz Cohen, “What Have Clothes Got to Do with It? Romantic Comedy and the Female Gaze” Southwest Review , 2010, Vol. 95, No. 1/2 (2010). Adrian Martin, “In the Mood For (Something Like) Love: The Situation of the Rom-Com Today” Cinéaste , Winter 2013, Vol. 39, No. 1 (2013). Nancy Meyers, “Life Isn’t Like the Movies (Even if You Write the Movies)” The New York Times (2020). Doris Milberg, The Art of the Screwball Comedy: Madcap Entertainment from the 1930s to Today, McFarland (2013). Rachel Syme, “The Nora Ephron We Forgot”, New Yorker (2022). Stephanie Zacharek, “Notting Hill” , Salon (1999).

Épisode 47 - Male Weepies: A Misunderstood Genre

29 avril 2024

Get a whole month of great cinema FREE on MUBI: https://mubi.com/broeydeschanel Follow and support the channel: Patreon: https://www.patreon.com/broeydeschanel Instagram: https://www.instagram.com/broey_deschanel Twitter: https://twitter.com/DeschanelBroey Ben From Canada: https://www.instagram.com/benchinapen Thumbnail by Hannah Raine Rehash podcast: https://podcasters.spotify.com/pod/show/rehashpodcast SOURCES: Scott Allison and Jeffrey Green, Nostalgia and Heroism: Theoretical Convergence of Memory, Motivation, and Function” Frontiers in Psychology, vol. 11 (2020). Christine Emba, “Men are lost. Here’s a map out of the wilderness” The Washington Post (2023). Caitlin Flanagan, “In Praise of Heroic Masculinity” The Atlantic (2023). Martin Fradley, “Maximus Melodramatic” in Action and Adventure Cinema, Routledge (2004). Conor Friedersdorf, “21 Reader Views on the Masculinity Crisis” The Atlantic (2022). Sarah Hughes, “Creed and the secrets of a male tear-jerker: From Field of Dreams to Good Will Hunting” Independent (2016). Idrees Kahloon, “What’s the Matter with Men?” The New Yorker (2023). Majorie D. Kibby, “NOSTALGIA FOR THE MASCULINE: Onward to the Past in the Sports Films of the Eighties” Canadian Journal of Film Studies, Vol. 7 (Spring 1998). Tom Lutz “Men’s Tears and the Roles of Melodrama” Boys Don’t Cry, Columbia University Press (2002). Peggy Orenstein, “The Miseducation of the American Boy” The Atlantic (2020). Peter Rainer, “COMMENTARY : A Touchy-Feely Summer of Tears and Testosterone : Movies: A new character emerges for the ‘90s--the sensitive male. Even the Terminator qualifies.” Los Angeles Times (1991). Heather Stewart,, ‘Andrew Tate is a symptom, not the problem’: why young men are turning against feminism, The Guardian (2024). Chuck Tryon, “Rebooting the Politics of the Sports Melodrama: Creed vs Rocky” Film Reboots, Edinburgh (2020).

Épisode 48 - When Movies Are a Religious Journey

31 mai 2024

IDA is now streaming on MUBI in the US & Canada! Get a whole month of great cinema FREE on MUBI: https://mubi.com/broeydeschanel If you've watched First Reformed and felt like it changed your life, you're not the only one! First Reformed was Paul Schrader's first attempt at a style of cinema he himself coined back in 1972: the Transcendental Style, and there's a reason it has some an impact. Come along on this spiritual journey. Thumbnail by Hannah Raine Follow and support the channel: Patreon: https://www.patreon.com/broeydeschanel Instagram: https://www.instagram.com/broey_deschanel/ Rehash podcast: https://podcasters.spotify.com/pod/show/rehashpodcast Ben From Canada: https://www.instagram.com/benchinapen/ SOURCES: Charles Andrews, “Too Much In the Garden: Paul Schrader’s First Reformed” Michaelmas, vol. LXXXII (1) (2018). Anthony Carew, “Into the Night, Religion and Environmental Catastrophe in First Reformed” Screen Education, (95) (2019). Justin Chang, “Review: The bracing ‘First Reformed,’ starring a superb Ethan Hawke, resurrects Paul Schrader’s career” L.A Times (2018). Daniel Chin, “‘The Boy and the Heron’ Is Hayao Miyazaki’s Most Personal Film, and One of His Most Collaborative” The Ringer (2023). Philip Horne, “‘We are the killers, and we have to understand that’: Martin Scorsese on Killers of the Flower Moon”, Sight and Sound (2023). J.R. Jones, “Paul Schrader’s First Reformed finds pride at the root of despair,” Chicago Reader (2018). Brent Lang “Paul Schrader on the Extinction of the Human Race and His New Film ‘First Reformed’” Variety (2017). Antonio Machado, "The Wind, One Brilliant Day": https://allpoetry.com/The-Wind,-One-Brilliant-Day Sean Nam and Paul Schrader, “Hungering and Thirsting For Righteousness” : Cinéaste , Vol. 43, No. 3 (2018). Paul Schrader, Transcendental Style in Film, University of California Press (1971). Olivia Hunter Willke, “Accepting Abomination: On First Reformed”, Hyper Real Film (2022).

Épisode 49 - How Challengers Revolutionized the Thriller

28 juin 2024

Get a whole month of great cinema FREE on MUBI: https://mubi.com/broeydeschanel And current students can stream GASOLINE RAINBOW and other great films on MUBI for free for 60 DAYS: https://mubi.com/broeyforstudents Challengers may not be filled with crime and violence... but it has an element of s-xual danger and suspense to it that's hard to miss. Follow and support the channel!: Patreon: https://www.patreon.com/broeydeschanel Instagram: https://www.instagram.com/broey_deschanel/ Thumbnail by Hannah Raine Rehash podcast: https://podcasters.spotify.com/pod/show/rehashpodcast edited by @BenFromCanada https://www.instagram.com/benchinapen/ SOURCES: David Andrews, S-x Is Dangerous, so Satisfy Your Wife: The S-ftcore Thriller in Its Contexts, Cinema Journal, Vol. 45, No. 3 (Spring, 2006). Justin Chang, “Love Means Nothing in Tennis, But Everything in Challengers” The New Yorker (2024). Maddie Ellis, “Why the writer of ‘Challengers’ classifies it as not a romance, but an ‘er-tic, tennis thriller’” Today (2024). Gabriella Ferrigine, “Without explicit s-x scenes, "Challengers" is the h-rny movie Gen Z has been waiting for” Salon (2024). Tyler Foggatt, “”Challengers” is Essentially a Well Shot Commercial” The New Yorker (2024). David Jenkins, “Luca Guadagnino: ‘I don’t watch tennis matches. It’s quite boring to me’” Little White Lies (2024). Kate Julian, “Why Are Young People Having So Little S-x?” The Atlantic (2024). Joey Magidson, “Film Review: 'Challengers' is Possibly One of the S-xiest Movies Ever Made” Awards Radar (2024). Brian McNair, Culture: S-x, Media and the Democratisation of Desire, Taylor & Francis (2002). Mandy Merck, “Bedroom Horror: The Fatal Attraction of Int-rcourse” Feminist Review , Autumn, 1988, No. 30 (Autumn, 1988). Michael Nicholas, “Tennis Explains Everything” The Atlantic (2024). David Sims, “A S-xy Tennis Thriller—Yes, Really” The Atlantic (2024). Hannah Strong, ““Challengers review – everything is s-x, except s-x, which is power” Little White Lies” (2024). Jessica Toomer, “In ‘Challengers,’ No S-x Is Good Sex” Uproxx (2024). Ben Travis, “Challengers Director Luca Guadagnino ‘Had Only A Vague Interest In Tennis Specificities” Empire (2024). Linda Williams, The Er-tic Thriller in Contemporary Cinema, Indiana University Press (2005).

Épisode 50 - The Idea of You: An Impassioned Defence

31 juillet 2024

Compare news coverage. Spot media bias. Avoid algorithms. Try Ground News today and get 40% off your subscription by going to https://ground.news/broey and subscribe for 40% off their unlimited access Vantage plan or under $1/month for their starter package. To enjoy The Idea of You, all you need is some taste, and a healthy dose of shame. Follow and support the channel!: Patreon: https://www.patreon.com/broeydeschanel Instagram: https://www.instagram.com/broey_deschanel/ Thumbnail by Hannah Raine Rehash podcast: https://podcasters.spotify.com/pod/show/rehashpodcast edited by ‪@BenFromCanada‬ https://www.instagram.com/benchinapen/ SOURCES: Melissa R. Ames, "When Predator Becomes Prey: The Gendered Jargon of Popular Culture" Faculty Research & Creative Activity (37) (2011). Ian Crouch, “People Who Like Celine Dion Are People Too” The New Yorker (2014). Eugene L. Didier, “The Summer Girl” The New York Times (1901). Jennifer Harlan, “A Brief History of Summer Reading” The New York Times (2021). Adrian Horton, “From The Idea of You to A Family Affair: the summer of age-gap romances” The Guardian (2024). Benjamin Lee, “The Idea of You review – Anne Hathaway lives out fanfic fantasy in solid romance” The Guardian (2024). Robinne Lee, “Reducing The Idea of You to Fan Fiction Is Another Example of Dismissing Women’s Art” Time Magazine (2024). Thomas Nyhus and Allyson Shap, “Summer of Snob: an Examination of the Beach Read” Substack (2024). Janice Radway, “Reading Is Not Eating: Mass-Produced Literature and the Theoretical Methodological and Political Consequences of a Metaphor” Book Research Quarterly, vol.2 (1986). Michelle Ruiz, “The Sleeper Hit of the Pandemic? A Three Year-Old Romance Novel Inspired by Harry Styles” Vogue (2020). Katy Waldman, The Idea of You” and the Notion of the Hot Mom” The New Yorker (2024). Carl Wilson, “I hate Celine! ... Or do I?” The Globe and Mail (2007). Carl Wilson, Let’s Talk About Love: Why Other People Have Such Bad Taste, Bloomsbury Academic (2014).

Épisode 51 - Robert Altman: America's Rebel Director

31 août 2024

Get Nebula using my link for 40% off an annual subscription: https://go.nebula.tv/broeydeschanel Watch Taboo on Screen on Nebula: https://nebula.tv/taboo Robert Altman embodied the spirit of America, both in his films and in life. This is the story of his career. Thumbnail by Hannah Raine Follow and support this channel: Instagram:https://www.instagram.com/broey_deschanel/ Patreon: https://www.patreon.com/broeydeschanel edited by ‪@BenFromCanada‬ https://www.instagram.com/benchinapen/ SOURCES: Robert Altman, “Albert Mobilio and Robert Altman” : BOMB, No. 68 (Summer, 1999). Paul Arthur, “How the West Was Spun: McCabe & Mrs. Miller and Genre Revisionism” Cinéaste, Vol. 28, No. 3 (SUMMER 2003). Vincent Canby, “The Screen: 'McCabe and Mrs. Miller':Miss Christie Portrays Prostitute in West Betty Is a Gambler in Altman's Film” The New York Times (1971). Adrian Danks, “”It’s OK with me” Introducing Robert Altman” in A Companion to Robert Altman, John Wiley & Sons (2015). Roger Ebert, “M*A*S*H” Chicago Sun-Times (1970). Stephen Farber, “Let Us Now Praise—Not Overpraise—Robert Altman” The New York Times (1974). Margaret Hrezo and William E. Hrezo, “The Politics of the "Open" Self: America in the Cinema of King Vidor and Robert Altman” Studies in Popular Culture, Vol. 32, No. 2 (2010). Helen Keyssar, Robert Altman’s America, Oxford University Press (1991). Robert Phillip Kolker, Radical Surfaces: Robert Altman” in A Cinema of Loneliness, Oxford University Press (2000). Chris Louis Durham, “We Must Be Doing Something Right to Last Two Hundred Years” Wide Screen, Vol 1, Issue 2, (2010). John Mahoney, “‘M*A*S*H’: THR’s 1970 Review” Hollywood Reporter (1970). Patrick McGilligan, Robert Altman: Jumping Off The Cliff: A Biography of the Great American Director, St. Martin’s Press (1989). Daniel O’Brian, Robert Altman: Hollywood survivor, B. T. Batsford (1995). Rex Reed, “Altman’s Latest Is Just T*R*A*S*H” Daily News (1971). Roger B. Rollin, “Robert Altman's "Nashville": Popular Film and the American Character” South Atlantic Bulletin, Vol. 42, No. 4 (1977). Robert Altman: Interviews, edited by David Sterritt, Jackson: University Press of Mississippi (2000). Robert Self, “Robert Altman and the Theory of Authorship” Cinema Journal, Vol. 25, No. 1 (Autumn, 1985). Keith Sharon, “On location 50 years ago: Altman's 'Nashville' mixed gun violence, politics and country,” Nashville Tennessean (2024). Maurice Yacowar, “Actors as Conventions in the Films of Robert Altman” Cinema Journal, Vol 20, No. 1 (1980). Mitchell Zuckoff, Robert Altman: The Oral Biography, Knopf Doubleday Publishing Group (2010).

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Épisodes

Épisode 1 - Women in Blade Runner 2049

Épisode 2 - The John Hughes Paradox

Épisode 3 - How Hollywood Failed Daenerys

Épisode 4 - Why Parasite Should Terrify Us (Spoilers)

Épisode 5 - What Portrait of a Lady on Fire Tells Us About "the Gaze"

Épisode 6 - The Showgirls Redemption

Épisode 7 - Tiger King: The Problem with True Crime

Épisode 8 - Why Neon Noir is Important

Épisode 9 - Wes Anderson and the Follies of Modern Orientalism

Épisode 10 - Sofia Coppola: The Politics of Pretty

Épisode 11 - When Shakespeare Got Cool

Épisode 12 - Why Miyazaki is a True Romantic

Épisode 13 - Have We Grown Out of Gossip Girl?

Épisode 14 - The Liberal Escapism of Bridgerton

Épisode 15 - How Killing Eve Subverts the Spy Thriller

Épisode 16 - The Systemic Abuse of Celebrities

Épisode 17 - The Problem of Method Acting

Épisode 18 - Stripping the Layers of Sensual Dancing in Film

Épisode 19 - Point Break and the Soft Masculinity of Action Movies

Épisode 20 - Love Island: A Flirtation With Surveillance

Épisode 21 - Abject Women: The Greatest Horror of All

Épisode 22 - Sex and the City: Love at the End of History

Épisode 23 - Why No One Wins the Fast Fashion Debate

Épisode 24 - Licorice Pizza: Does Depiction Equal Endorsement?

Épisode 25 - Eyes Wide Shut: Stanley Kubrick's Swan Song

Épisode 26 - Euphoria and the Art of Navel Gazing

Épisode 27 - Oscars 2022 and the Death of Cinema

Épisode 28 - Valley of the Dolls: Why We Love This Awful Movie

Épisode 29 - Greta Gerwig, Representation, and the Universal Girl

Épisode 30 - Bergman Island: Art, Love, and the Unbearable Process of Making

Épisode 31 - Spring Breakers and the End of Indie Sleaze

Épisode 32 - Elvis (2022) and the Utter Mediocrity of Biopics

Épisode 33 - The Decline of Tim Burton

Épisode 34 - "Cancelling": A Culture of Retribution

Épisode 35 - Saturday Night Fever and the Death of Disco

Épisode 36 - Fleabag is Not a Femcel

Épisode 37 - Can We Still Enjoy The Social Network?

Épisode 38 - Why Films From 1999 Are So Iconic

Épisode 39 - Immersive Van Gogh: Why Art is in Crisis

Épisode 40 - Feeling Cynical About Barbie